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There's more of producer Bob Rock (AC/DC) here than the feisty band that recorded Seether two years previously. That's a good thing on the single "Volcano Girls", complete with its squealing guitars and "I Am the Walrus" nod. Titles like "With David Bowie" and "Venus Man Trap" are the best thing about the rest of a rather one-dimensional package. --Jeff Bateman
Veruca Salt circulated through the late-'90s barrage of one-hit alt-rock bands with the single "Seether," and the number of critics placing bets in favor of the band's longevity was miniscule. But upon the departure of member Nina Gordon, lead singer Louise Post revamped the group, and Resolver beat the odds. The album follows the lead of fellow Chicagoans the Smashing Pumpkins with its monstrous guitars squalling against an explosive rhythm section. This tsunami of sound finds a strange bedfellow with Post's vocals. Immediately she seems a sweet, fuzzy urchin, but her abrasive, sexually charged lyrics and grunge-suited scream reveal a wildly rabid kitten with piercing claws and enormous teeth. Resolver's combination of eerie Pixies-influenced aggression ("Used to Know Her") and Billy Corgan bombast ("Born Entertainer") makes for a supremely satisfying head bang. Best of all, the new and resoundingly improved Veruca Salt have developed a penchant for slightly quieter songs like "Disconnected," where Post's utterly unseething, almost exhausted voice carves a wide space between unproduced drums and orchestral instrumentation, resulting in a moment of fierce beauty. --Beth Massa