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Combining girl-group hooks and harmonies with high-octane, Motor City garage rock, the Detroit Cobras conjure the 1960s era of Top 40 AM radio and vinyl 45s. Though the results are considerably poppier than the band's name and the light bondage of the album title and cover might suggest, singer Rachel Nagy has attitude to burn and the mixed-gender band plays with plenty of rough-hewn energy. Material (none of it written by the band) includes minor '60s hits such as "Nothing But a Heartache" and "Leave My Kitten Alone," obscurities from classic songwriters such as Gerry Goffin and Jerry Ragavoy (as well as James Brown and Dr. John) and a hopped-up rendition of the Depression-era folk standard "On a Monday." --Don McLeese
Life, Love and Leaving is the second album by underground rock act the Detroit Cobras. Like the Dirtbombs or the Screws, the Cobras pay homage to the decades of artists who have hit the vinyl before them. These Motor City garage rockers combine gospel, soul, R&B and 50s rock & roll to create a unique mix of retro innocence and tight, danceable music overflowing with rhythm and grit. Frontwoman Rachael Nagy croons with class and soul, with a low, hearty voice that sounds husky and warm. On Life, Love and Leaving, the Cobras cover everyone from Otis Redding and Ike Turner to more obscure acts, such as Clyde McPhatter, with the amazing ballad "Let's Forget About the Past", and Ronnie Mack with the equally mind-blowing "Cry On". While a band that only does covers may sound like a one-trick pony, the Cobras manage to mine the hidden parts of bygone eras, coming back with gems that might go otherwise unheard to the next generations, and creating a great style of their own in the process. --Jennifer Maerz