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Japanese pressing of the famed vocalist's 2008 featuring one bonus track: 'Forbidden Colours'. Symphony is Sarah Brightman's first studio album for five years. Recorded in Germany, Symphony features all new songs and is created with Sarah's long-time producer Frank Peterson. The repertoire ranges from beautiful ballads 'Symphony', 'Fleur du Mal' and epic power rock scores 'I Will Be With You' to interpretations of the work 'Jupiter' from Holst's The Planets on 'Running' to Faith Hill's 'There You'll Be' sung in Italian as 'Sarai Qui' and many more. On this album Sarah reunites with Andrea Bocelli to sing 'Canto Della Terra', as well as singing duets with Fernando Lima (Mexican tenor) on 'Passion' and Paul Stanley (Kiss) on 'I Will Be With You (Where The Lost Ones Go) '. The album showcases Sarah linguistic vocal skills by singing in Spanish, Italian, French and for the first time German. EMI.
What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A megahit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged, and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favorite example: an abridged version that was the centerpiece of Los Angeles's longest-running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulley
Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's "O mio babbino caro" (performed better by almost any other operatic soprano elsewhere), and "Alleluia" from Mozart's Exsultate Jubilate. One might call this a crossover disc; others might just see it as a recording featuring a pop singer with artsy aspirations. Whatever it is, Brightman's fans love her; others do not. Two duets with tenor Jose Cura remind the listener what opera singing really ought to sound like. --Robert Levine
From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David Horiuchi
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![]() Time to Say Goodbye | ![]() Classics | ![]() Eden |
![]() Diva: The Video Collection | ![]() Live from Las Vegas | ![]() La Luna (Live in Concert) |
In this follow-up to the smashing success of her 1997 CD Time to Say Goodbye, Sarah Brightman continues down the primrose crossover path, blithely gliding from covers of Hooverphonic (the title track) and Kansas ("Dust in the Wind") to Puccini and film scores (Titanic and The English Patient). Sometimes, as in "Anytime, Anywhere," the crossover happens within the same song--in this case welding a rhythm track to the somber harmonies of Albinoni's "Adagio." But there's nary a stylistic speed bump to jolt her listeners, as Brightman focuses her tiny, seraphic voice like a beam of light on each melody. The result, bless her heart, may be the invention of a whole new form of kitsch. Like plastic surgery, Brightman's years of specialized vocal training have helped refine her ability to float confidently well-rounded, sparkling tones in her upper range. These have a Dresden china-like, touching fragility in such songs as "So Many Things" and are well-suited to the gauzily romantic (and overproduced) gloss of the string-heavy arrangements that predominate. Eden also introduces Brightman as songwriter ("In Paradisum," with its mix of sitar and modal chant) and features a bonus track unavailable on the album's European-released version ("The Last Words You Said"). --Thomas May
Disc One is an eight song CD and Disc Two is a full length DVD: Italian tenor Andrea Bocelli grew up in Lajatico, a rural village in Tuscany, where his family still farms nearby. Last July, on the slopes of his ancient hill town, a special theater was constructed for a one-night-only concert of his greatest popular hits along with new songs performed to honor the occasion. Some famous musical friends dropped by and the magical result is Andrea Bocelli Vivere Live in Tuscany.
Joining Andrea for the new songs are grandissimo sassofonista Kenny G, trumpeter Chris Botti, piano virtuoso Lang Lang, Italian pop star Eliza, and legendary musician, songwriter and producer David Foster. Helping with the hits: favorite divas Sarah Brightman, Heather Headley and Laura Pausini.
Surveying the breathtaking landscape that provides the backdrop for the festivities, Bocelli introduces the telecast with the passion of a true Toscano. It s my land, he says, a land that loves silence as much as I do. If I break this silence with my voice, it s because I want to pay tribute. Music penetrates this land; it flows across it and flies off far away. It s a message of love.
Musical highlights include the song that launched Bocelli s career, Il Mare Calmo Della Sera ; the one that brought him international stardom, Time to Say Goodbye, in duet with Sarah Brightman; Laura Pausini joining him for Dare to Live ( Vivere ); Bocelli and Heather Headley reprising the popular Vivo Per Lei, plus several new selections from the just-released The Best of Andrea Bocelli - Vivere album (Sugar Music/Decca). Also featured is a meltingly romantic medley of songs from his 2006 collection, Amore: Bésame Mucho, Somos Novios ( It s Impossible ) and I Can t Help Falling in Love with You.