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Songs in A Minor  >>

She may be beautiful, but Alicia Keys is a musician first and foremost. She plants herself firmly behind the piano keys on her debut, unlike many of the booty-waggin' junior divas who are crowding the R&B videoscape these days. Though many of the tracks on Songs in A Minor are embellished with adolescent angst, this 20-year-old's substantial, gorgeously soul-drenched alto putties the cracks between notes with astonishing ease. "Fallin'," the album's first single, showcases Keys at her best. She wails plaintively and passionately over rolling blues chords, in the tradition of the greats that this young talent clearly wants to align herself with--Stevie Wonder, Donny Hathaway, and Aretha Franklin. She swoops and soars over the spicy, flamenco-fueled melody that opens "Mr. Mann," one of the many winning tracks gathered here. And she digs deep into a remake of the beloved Prince B-side, "How Come U Don't Call Me Anymore?" packing more heat into her melismatic wails than most singers twice her age. --Sylvia W. Chan

As I Am  >>

Japanese two CD pressing of the 2007 release from the R&B/Pop diva featuring a bonus CD containing four tracks: 'Waiting For Your Love', 'Hurt So Bad', 'Superwoman' (Live) and 'No One' (Curtis Lynch Reggae Remix). As I Am is Alicia's most innovative album to date, a collection of music with no boundaries. Influenced by everything from Hip Hop to Soul to Rock to Classical music, As I Am is every bit a sense of rebellion and empowerment. Features collaborations with some of the biggest hit makers in music (Linda Perry, Jack Splash, Mark Batson, Swizz Beats and Kerry Brothers) and includes the first single 'No One.'

The Diary of Alicia Keys  >>

Alicia Keys has more than lived up to the promise of her formidable debut Songs in A Minor, pushing beyond her flirtation with old-school soul and venturing into the modern world, even hiring Timbaland to guide her through the shoals of anthemic hip-hop on the breathless and funkified "Heartburn." Sounding like a hyperthyroid cheerleader, Keys unleashes a quirky sense of humor that no one even suspected she possessed. Her effortless singing on the beat-driven "Karma" is a wonder of sonics on this uplifting piece of pop philosophy, giving countless anxious woman hope that everything will work out as it's meant to, or on "Samsonite Man," where it won't. But despite her edgy styling and jazzy vocal posturing, Keys hasn't abandoned her love for old R&B and travels back in time, giving Gladys Knight's "If I Was Your Woman" a face lift it may not have needed, then turns around and recasts the song as the winsome and dramatic "You Don't Know My Name." But at its heart, The Diary of Alicia Keys is a gross misnomer. After listening to the disc, fans will know little more about the elusive diva than they did before, her lyrical style consistently more narrative than confessional. In fact, the title track doesn't delve into the singer's inner life, but instead is about a long-distance love affair, with Keys promising the object of her affection that: "I won't tell your secrets/Your secrets are safe with me/I will keep your secrets/Just think of me as the pages in your diary."--Jaan Uhelszki

As I Am-the Super Edition  >>

2008 'Super Edition' of her album now comes with three bonus tracks on the audio disc, 'Another way to die' from the 2008 Bond film, Quantum of Solace and two previously unreleased tracks, 'Doncha know (sky is blue)' and 'Savoir'. The bonus DVD features FIVE songs recorded in London in earlier '08, You don't know my name, Superwoman, No one, Teenage Love Affair and If I Ain't Got You. Sony/BMG. 2008.

Unplugged  >>

With MTV's decision to revive its much-missed "Unplugged" series came a certain obligation: Whoever was going to kick the shows off needed to have the means to deliver serious heat, Grammy-vote garnering heat. The "powers that be" couldn't have chosen better than Alicia Keys. Throughout this consistent set, marked by warmth, sincerity and a powerful lack of inhibition, Keys convinces that if she's not the new Aretha Franklin, she's a force of equal might and measure. All the favorites are here, the danceable "Karma" carries into the funky "Heartburn" and the give-it-up glory of "Unbreakable." "Fallin'," "If I Ain't Got You," and "You Don't Know My Name" come later, but interspersed are enough pleasant surprises to make even fanatical Keys followers forget the signature songs. Prince's "How Come You Don't Call Me," for instance, gets a playful work-up, complete with audience-aimed banter and an unbroken promise to "take it to the bridge," and a duet that on paper seems misguided works surprisingly well, as Keys resists any instinct to clobber Maroon 5's Adam Levine vocally. Yowling, piano pounding, hip-hop tics (the ubiquitous, emphatic "unh"), and even a spot of theatrical poetry all have their places here, but Keys manages them with a master's sense of what's song-appropriate. Her band is spot-on, her arrangements soar, and her guests--count Mos Def and Common among them--complement the proceedings without even momentarily carrying them. The best "Unplugged" discs leave a listener wishing artists would kick the amps altogether; this is one of them. --Tammy La Gorce

As I Am  >>

Free trial membership for 3 months to the Alicia Keys fanclub Limited edition poster "No One" video Two "making of" webisodes

Another Way to Die (Limited Edition 7 inch vinyl single)  >>

Another Way To Die, Another Way To Die (Instrumental Version): A collaboration between Jack White and Alicia Keys, 'Another Way To Die' is the theme song to the upcoming James Bond film 'Quantum Of Solace'. Available on strictly limited 7" vinyl.

Glory Road  >>

Confessions  >>

A CD is always more compelling when you know it's lifted from the artist's autobiography, and that's certainly the case with Confession, Usher's first record since 2001's 8701. The Atlanta singer's string of hits over the past decade have been decidedly PG-13 rated, almost veering towards teen pop, but he's changed all that on this co-produced offering, which he claims is "the real him." It would be too simplistic to just brand this record a break-up record, chronicling his public split with TLC's Rozonda "Chili" Thomas; it is that, but so much more. It would be more accurate to call this Usher's coming of age record, bridging the gap from boy to man, as he navigates the emotional fallout from the disintegration of his relationship, and the events that led up to it--real or imagined. But other than a guilty conscience, it seems unclear why Usher feels compelled to disgorge his secret life, as he documents his infidelities, transgressions, and emotional perfidy in the album's prodigious twenty one songs, that range from insinuating sultry R&B grooves to the decidedly crunky "Yeah," which pairs an insistent keyboard romp with Lil' Jon's assertive beats, and Ludacris' rather humid rhymes.

Remixed  >>

Exclusive limited 2008 Japanese remix album, released to coincide with the R&B diva's performance at the 2008 Summersonic Festival. This collection features eight of Alicia's finest tracks in remixed form. Tracks, If I Ain't Got You - Black Eyed Peas Mix, If I Ain't Got You - Kanye West Radio Mix, Karma (Reggaeton Mix,) Like You'll Never See Me Again(Johnny Rockstar Mix), Like You'll Never See Me Again (Seiji Mix), No One (Salaam Remi Mix feat. Junior Reid,) No One (Jony Rockstar Mix) and Teenage Love Affair (Wideboys - Mix). Sony. 2008.