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Perfectly Clear >>

It comes as no surprise that Jewel, an acclaimed American singer, songwriter, actress, poet, painter, philanthropist and daughter to an Alaskan cowboy singer-songwriter, finds herself in the embrace of country music for the release of her seventh career album, Perfectly Clear.

Nashville Connections

Jewel's personal odyssey, partly chronicled on one of the best selling debut albums of all time, the twelve-time platinum Pieces of You, comes full circle with her forthcoming country album, Perfectly Clear, the debut release on newly launched Nashville-based independent label The Valory Music Co.

Jewel is set apart her whole career for not only singing, but writing all her songs, and this album is no exception. "I've been writing country songs my whole career; some of the songs on this record date back to when I was 18 years old. I've been hanging on to them until now. They were meant for a record like this one."

The record's first single "Stronger Woman" is a powerful and positive message that resonates with women of any age. Perfectly Clear is produced by Jewel and John Rich of Big and Rich fame. "Jewel is probably one of the greatest American singer-songwriters we have. It is such an honor to work with anyone of that caliber of talent," Rich says. Jewel has spent a lot of time in Nashville over the last few years, and has naturally been drawn to and accepted by the Nashville music community. "If I were discovered today, there is no doubt that I would be signed as a country artist. Songs like "You Were Meant For Me" would have been a country hit today, and not a pop hit as it was in the 90s. The genres have changed more than I feel I have," says Jewel.

Pieces of You >>

Jewel's debut album, Pieces of You, reveals a special voice--strong and focused on both the whispery verses and the hooky choruses. The recording also exposes an unfortunate tendency to present trite, hackneyed sentiments as if they were oracular visions from a young prophet to a jaded world. For the most part, Jewel sings to her own acoustic guitar accompaniment, but she has a lot more in common with, say, the Indigo Girls or Lisa Loeb than with Judy Collins or Nanci Griffith. Despite her soft soprano and pretty melodies, her songs have an iconoclastic edge which make her more of an unplugged alternative rocker than a folkie. Her songs too often betray their origins as written verse in their hard-to-sing meters, unmusical phrasing, and diary-like pronouncements. Nonetheless, a few numbers, such as "Morning Song" and "You Were Meant for Me," show a spark of humor about romance, and hint that Jewel may yet write songs worthy of her remarkable voice. --Geoffrey Himes

Goodbye Alice in Wonderland >>

The word "confessional" is frequently applied to folk of all stripes, including folk-rock and folk-pop, which is where Jewel comes in. Even within the bounds of folk, however, her music is more nakedly confessional than most. (Too nakedly, some have carped.) Along with a coterie of Nashville pros, she began her latest musical journey by laying down another introspective song cycle in the vein of 1995's Pieces of You. Dissatisfied with the results, the Texas-based artist scrapped that effort and re-recorded with Rob Cavallo (Green Day). This lends her sixth album the expected rock edge, but Jewel hasn't changed her spots. If anything, she sounds more like, well, Jewel than she did on dance-oriented departure 0304. She's still pop star ("Fragile Heart"), sensitive folkie ("Long Slow Slide"), and scrappy country gal ("Stephenville, TX"). Her Joni Mitchell-esque soprano soars as high as ever, with more of a sardonic Dylan chaser than before. What's changed is that maturity has granted Jewel, now in her early 30s, greater perspective--"Growing up is not an absence of dreaming," she states in the title track--and a sense of humor missing from her more earnest early work. On "Satellite," for instance, written when she was 18, but revamped since, she notes that "the Pope," "rock and roll," "Valium," even "Miss Cleo" can't fix her broken heart. In her statement about the album, Jewel claims that, after years of ups and downs, she's "not broken, just more myself." --Kathleen C. Fennessy

This Way >>

It's easy to see that Jewel wants to lighten up. With two previous multimillion-selling albums (and a couple of much-scorned but popular books) filled with earnest, clueless revelations behind her, the singer-songwriter comes a little closer to ground with This Way. "Give it hell 'til the end," a former compatriot urges her on "Till We Run Out of Road," her version of Jackson Browne's "The Load Out." Could that be a hard-bitten road warrior deep inside the woman who makes a point of pronouncing the O's in the opening line ("Mirror, mirror") of this CD's "Serve the Ego"? Maybe. But despite her icky streak's spread to cutesy jokes ("Jesus Loves You"), Jewel hasn't quite abandoned her old judgmental ways (in "I Won't Walk Away," she spies a couple "resisting being one") and ambitions to, you know, really say something, as in the "Desolation Row"-lite "The New Wild West." Still, with some nice, if bland, arrangements set around her, This Way is the Jewel album most likely to appeal to Jewel non-fans. --Rickey Wright

0304 >>

Why pick on a girl for taking a chance? After experiencing flagging sales, Jewel has become proactive and given herself a cosmetic and artistic makeover. But 0304 isn't the winsome thrush's first leap into the unknown. Hiring Shakira producer Lester A. Mendez to give her solemn, folksy songs a pop sheen and some dance beats isn't as radical as starring as a Civil War widow in an Ang Lee film. Besides it's a lot more interesting to hear her squeeze her chaste, malleable soprano around an accordion solo in the futuristic namedropping fable "Intuition" or her voice a beat-driven condemnation of the George W. Bush regime on "America" to see her sashaying on the silver screen in those tight bodices and hoop skirts. Although she has changed the very structure and sound of her songs, Jewel's undeniable talent shines through. She still has a way with words and her voice is remains as pure as an Alaskan stream. --Jaan Uhelszki

Joy - A Holiday Collection >>

Jewel has concocted an intriguing and at times beautifully inspired holiday album, playing it straight with a big orchestra and backing voices for the first half of the record with standards such as "Joy to the World," "Winter Wonderland," "Silent Night," as well as a lovely rendition of "Ave Maria." Things finally get sparkling in the last half where Jewel does a low-key, kid version of "Rudolph" and sings her own compositions. Her moving "Face of Love" and "Hands" are certain to become holiday standards, capable of being sung in a country, pop, gospel, or R&B vein and deserving of an audience as wide as the nation itself. The record's centerpiece, however, seems to be a six-minute-plus medley that mixes "Go Tell It on the Mountain" with the recent hit "From a Distance" and her own "Life Uncommon." Nonetheless, her stunning adaptation of "Gloria" inspired, in part, by Bach's B-Minor Mass, two tracks later is as powerful and lovely a Christmas vocal performance as you will find anywhere. Produced by the legendary Arif Mardin, Joy is destined to become a holiday classic. --Martin Keller

Pieces of You >>

Includes the bonus "Foolish Games (edit). Has different artwork than the USA version.