janis joplin : Releases >>
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Janis Joplins Greatest Hits >>
More than Cheap Thrills or even Pearl, Greatest Hits has helped keep Janis Joplin's short-lived recording career alive for listeners who came along after her 1970 death. "Me and Bobby McGee" is the biggest draw, of course--it was a posthumous No. 1 single--but the rest is equally exciting. Despite the familiarity of the titles here, this goes far beyond the merely serviceable. Finally, the cover photo of Janis smiling in a sunny park is as poignant a shot of her as exists. --Rickey Wright
Pearl >>
Janis Joplin made the blues her own. Though she didn't live to finish this album before her 1970 death from a heroin overdose, her intense passion and frantic cries of pain and ecstasy were enough to make Pearl one of the most memorable recordings of her era. Her band does fill up some vinyl with the instrumental "Buried Alive in the Blues," but it's the vocals that make this album worth hearing these many decades later. Listen to the tortured heartbreak of "Cry Baby" or the hopeful declarations of Kris Kristofferson's "Me & Bobby McGee" and understand why Joplin remains an essential, if tragic, figure in pop. This reissue of Joplin's final album includes four live bonus tracks recorded during the 1970 Canadian Festival Express Tour. --Steve Appleford
The Essential Janis Joplin (Rm) (2CD) >>
Such was the visceral power of Janis Joplin's voice that her enduring legend as '60s rock icon was based on just a pair of solo albums and the two releases with her fronting Big Brother and the Holding Company that she recorded before her death in 1970 of a drug overdose. This 30-track double-disc anthology offers a concise introduction to the incendiary talents of a singer whose tortured blues seemed no mere affectation; being cruelly voted "Ugliest Man on Campus" during her tenure at the University of Texas barely hinted at the depth of Joplin's personal demons. Organized chronologically with its discs split between her band and solo careers, the anthology documents the story of a raw, riveting talent that carried the often slovenly psychedelic blues of Big Brother to stardom via "Down on Me" and "Piece of Heart," stumbled only slightly on her solo debut (I Got Dem Ol' Kozmic Blues Again Mama), and then reached full, ragged glory on the quintessential Pearl with tracks like her posthumous hit "Me and Bobby McGee" and the playful "Mercedes Benz." The collection also features a pair of previously unreleased live Big Brother tracks ("To Love Somebody," "Kozmic Blues") recorded at Woodstock '69. --Jerry McCulley
Farewell Song >>
This collection features Joplin with Big Brother and the Holding Company as well as live with the Kozmic Blues Band. There's also a tear-down-the walls version of Etta James's "Tell Mama" with Full Tilt Boogie, recorded live in Toronto. Other highlights include a studio recording of "One Night Stand" (produced by Todd Rundgren) and a marvelous rendition of Sam Andrews's poignant "Farewell Song," taken from a 1968 Winterland show. Ending the CD is Joplin's killer "Catch Me Daddy," taken from a Cheap Thrills session. The members of Big Brother dislike this album intensely, since the producer replaced the band's instrumentals with those of studio musicians. This is one of Joplin's most inspired studio vocals, and it would be interesting to hear the instrumental track that brought out such an incredible performance. --Myra Friedman
Pearl >>
Janis Joplin: Collections >>
Cheap Thrills (Multi-Channel) >>
Box Of Pearls Collection >>
Janis Joplin was one of the most exhilarating performers of an era blessed with riveting stage artists, but all but her most emphatic champions must concede her recorded oeuvre is problematic. With Big Brother & the Holding Company she was surrounded by up-from-the-streets cohorts who were spiritually attuned to Joplin, even if they weren't always musically in tune. After one rushed, premature effort for the Mainstream label, Big Brother hit the top of the charts with one of the touchstones of the San Francisco sound, Cheap Thrills. Barraged by critics who believed Joplin's skills as a blues and soul singer were being squandered in a psychedelic setting, the toast of Haight-Ashbury went solo with the up-and-down I Got Them Ol' Kozmic Blues Again, Mama. Joplin was hitting her stride during the 1970 Pearl sessions when she died of a drug overdose at age 28. The album's posthumous release was a critical and commercial smash. Box of Pearls binds the 1999 remastered and expanded versions of the aforementioned albums and tosses in a five-track rarities EP entitled, appropriately enough, Rare Pearls. Much of Box of Pearls is brilliant while portions are badly dated, but it's all Joplin. --Steven Stolder
Big Brother And The Holding Co >>
I Got Dem Ol Kozmic Blues Agai >>
This underrated 1969 recording was Janis Joplin's first solo studio album after she left Big Brother & the Holding Company. One objection at the time of its release centered on the horn section, which Big Brother loyalists were determined to hate to death. Moreover, the aggregate of musicians backing Joplin--she named the band Kozmic Blues--never solidified as a group, even after earning a warm response on a European tour that spring. There was considerable turnover among the players pulled in for the sessions and considerable discontent as well. Producer Gabriel Mekler would have gladly dumped the band entirely. The best tracks on the album resulted from a single session in June 1969: a supremely delivered rendition of "One Good Man" (with the great Mike Bloomfield on guitar), and, above all, "Little Girl Blue." The Rodgers and Hart estates, however, absolutely loathed Joplin's version of the song, as did a gaggle of older musicians. Joplin changed the words somewhat and made a magnificent tearjerker out of a song that was first performed by Doris Day. This reissue fleshes out the original eight-song collection with a studio outtake of Bob Dylan's "Dear Landlord" and live versions of "Summertime" and "Piece of My Heart" from Joplin's Woodstock appearance. --Myra Friedman