janis joplin : Releases >>

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Janis Joplin - Greatest Hits >>

More than Cheap Thrills or even Pearl, Greatest Hits has helped keep Janis Joplin's short-lived recording career alive for listeners who came along after her 1970 death. "Me and Bobby McGee" is the biggest draw, of course--it was a posthumous No. 1 single--but the rest is equally exciting. Despite the familiarity of the titles here, this goes far beyond the merely serviceable. Finally, the cover photo of Janis smiling in a sunny park is as poignant a shot of her as exists. --Rickey Wright

Cheap Thrills >>

One of the most eagerly awaited albums in rock history, Big Brother & the Holding Company's 1968 major label debut (they'd previously released one thinly produced collection on the small Mainstream label) made good on all the hype generated by Janis Joplin's amazing performance at the Monterey Pop Festival the year before. Crowned by its hit single, a churning remake of Aretha Franklin's sister Erma's "Piece of My Heart," the album also contained Joplin's Monterey showstopper, Big Mama Thornton's "Ball and Chain," as well as the Gershwin classic "Summertime," on which Joplin's always underappreciated band (especially guitarists Sam Andrews and James Gurley) match her vocal intensity with their own ferocious playing. This expanded reissue includes two previously unissued outtakes ("Roadblock" and "Flower in the Sun") and a couple of heretofore unheard live cuts ("Catch Me Daddy" and "Magic of Love"), all from 1968. --Billy Altman

Essential Janis Joplin >>

Such was the visceral power of Janis Joplin's voice that her enduring legend as '60s rock icon was based on just a pair of solo albums and the two releases with her fronting Big Brother and the Holding Company that she recorded before her death in 1970 of a drug overdose. This 30-track double-disc anthology offers a concise introduction to the incendiary talents of a singer whose tortured blues seemed no mere affectation; being cruelly voted "Ugliest Man on Campus" during her tenure at the University of Texas barely hinted at the depth of Joplin's personal demons. Organized chronologically with its discs split between her band and solo careers, the anthology documents the story of a raw, riveting talent that carried the often slovenly psychedelic blues of Big Brother to stardom via "Down on Me" and "Piece of Heart," stumbled only slightly on her solo debut (I Got Dem Ol' Kozmic Blues Again Mama), and then reached full, ragged glory on the quintessential Pearl with tracks like her posthumous hit "Me and Bobby McGee" and the playful "Mercedes Benz." The collection also features a pair of previously unreleased live Big Brother tracks ("To Love Somebody," "Kozmic Blues") recorded at Woodstock '69. --Jerry McCulley

Pearl >>

Janis Joplin made the blues her own. Though she didn't live to finish this album before her 1970 death from a heroin overdose, her intense passion and frantic cries of pain and ecstasy were enough to make Pearl one of the most memorable recordings of her era. Her band does fill up some vinyl with the instrumental "Buried Alive in the Blues," but it's the vocals that make this album worth hearing these many decades later. Listen to the tortured heartbreak of "Cry Baby" or the hopeful declarations of Kris Kristofferson's "Me & Bobby McGee" and understand why Joplin remains an essential, if tragic, figure in pop. This reissue of Joplin's final album includes four live bonus tracks recorded during the 1970 Canadian Festival Express Tour. --Steve Appleford

Box of Pearls: The Janis Joplin Collection >>

Janis Joplin was one of the most exhilarating performers of an era blessed with riveting stage artists, but all but her most emphatic champions must concede her recorded oeuvre is problematic. With Big Brother & the Holding Company she was surrounded by up-from-the-streets cohorts who were spiritually attuned to Joplin, even if they weren't always musically in tune. After one rushed, premature effort for the Mainstream label, Big Brother hit the top of the charts with one of the touchstones of the San Francisco sound, Cheap Thrills. Barraged by critics who believed Joplin's skills as a blues and soul singer were being squandered in a psychedelic setting, the toast of Haight-Ashbury went solo with the up-and-down I Got Them Ol' Kozmic Blues Again, Mama. Joplin was hitting her stride during the 1970 Pearl sessions when she died of a drug overdose at age 27. The album's posthumous release was a critical and commercial smash. Box of Pearls binds the 1999 remastered and expanded versions of the aforementioned albums and tosses in a five-track rarities EP entitled, appropriately enough, Rare Pearls. Much of Box of Pearls is brilliant while portions are badly dated, but it's all Joplin. --Steven Stolder

Cheap Thrills (Multichannel/Stereo) >>

Live at Winterland '68 >>

This belated collection of Janis Joplin with Big Brother and the Holding Company tracks features 14 performances, a dozen of which debut here. Of the two familiar selections, the version of "Ball and Chain" here is the same one that graces Cheap Thrills, and "Bye Bye Baby" can be heard on In Concert. No matter if it's not quite the definitive Big Brother album; it is nonetheless a hell of a lot of fun. Big Brother's playing is intense and relatively tight. A magnificent moment is heard in "I Need a Man to Love" when Joplin urges the band on. "C'mon boys, play," she prods, and a stunning Sam Andrews guitar solo ensues. If you've never heard Joplin do "Summertime," grab this album. If you have, grab it anyway. It's wonderful. --Myra Friedman

18 Essential Songs >>

A slightly flawed collection drawn from the three-CD box set Janis, this still isn't a bad introduction to Haight-Ashbury's favorite blues shrieker. Skimming Cheap Thrills, Kosmic Blues, and Pearl, the disc catches some of Joplin's most stunning moments. In acknowledging the "rarities" aspect of the box, however, Essential occasionally goes wrong; the acoustic demo version of "Me and Bobby McGee" is incredibly touching, but a strange choice if there's room for only one. The must-have version remains the full-blown take heard on Pearl and Janis Joplin's Greatest Hits. That there's enough interest in Janis remaining to justify a set like this one is heartening, though. --Rickey Wright