Ivy : Releases >>

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Long Distance  >>

Long Distance finds Ivy continuing to move away from its beginning as straightforward guitar band, exploring in greater depth the types of slinky rhythms and sounds that were hinted at on 1997's Apartment Life. Also featured on the record are James Iha (Smashing Pumpkins), Jon Skibic (Gigolo Aunts) and Brian Young (Fountains Of Wayne/Posies). 13 tracks, including a Blow Monkey's cover 'Digging Your Scene'. 2001 release.

In the Clear  >>

The growing, if belated, popularity of Ivy is a happy event. Over the course of a half-dozen releases, the band has married slightly trippy atmospherics to immaculate popcraft and the melancholy vocals of Paris-born Dominique Durand. In the Clear, their fifth album, finds the guitars occasionally louder (they roil and distort on the kiss-off "Clear My Head") but the mood essentially the same. It’s a romantic, cautiously hopeful one, exemplified by the disc’s closing "Feel So Free." Special and secretive--"Tess Don’t Tell" repeatedly insists "It’s just for you, it’s not for anybody else"--In the Clear thrives on trademark Ivy contradictions and, now and then, an unexpected noise in the corners of the sound. --Rickey Wright

Apartment Life  >>

This one brims with Ivy's sophisticated brand of pop including their radio hit "The Best Thing" and "This Is The Day," featured in the hit movie There's Something About Mary. Originally released, 1997. Re-issued by Unfiltered Records, 2003.

Guestroom  >>

This album is a musical highlight of an already storied career by a band whose music has been heard by millions of buyers including anybody who has ever seen the film 'Something About Mary' or the hit television series 'Roswell'. Put the top down and turn the song up. Digipak. Minty Fresh. 2002.

Apartment Life  >>

This slightly altered version of Ivy's 1997 instant classic of savvy semi-lounge pop keeps its virtues--Dominique Durand's breathy vocals, the winsome tunefulness, its lyrics' meld of wistfulness and resoluteness. The changes come in a handful of reworkings that seem designed largely to make the tracks more suited to radio's demands; fans of the earlier versions might prefer them, but the cranked-up drums on "The Best Thing" and changes in "I've Got a Feeling"'s guitar line hardly hurt the songs' charm. Apartment Life remains one of the late '90s' finest melds of mainstream and indie sensibilities. --Rickey Wright