Macy Gray : Releases >>
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Chicago >>
The movie version of Kander and Ebb's Chicago was long in the making, but it's well worth the wait. Director Rob Marshall's main change was to turn the classic musical numbers into fantasy sequences, but of course this isn't obvious on CD. Most importantly, the arrangements are bursting with life while being true to the show's spirit, and the casting is simply inspired. Catherine Zeta-Jones actually started her career on the British boards (she was in The Pajama Game and 42nd Street), so her turn as slinky Velma Kelly isn't that surprising; Renée Zellweger as Roxie Hart is more of a leftfield choice, but she shows she can handle the singing demands with pizzazz. The real revelation may well be rapper Queen Latifah, who belts out "When You're Good to Mama" with a marvelous affinity for the material. OK, so the R&B reprise of "Cell Block Tango/He Had It Coming" by Queen Latifah, Macy Gray, and Lil' Kim fails to convince, while Anastacia's "Love Is a Crime" is just blah (rest easy, purists, it's over the end credits). On the other hand, the CD provides two bonuses: "Class," which was cut from the movie, and "I Move On," a great duet written by Kander and Ebb for the final cut. It's really easy to mess up film adaptations of Broadway shows. Happily, Chicago proves it can be done right. --Elisabeth Vincentelli
On How Life Is >>
Gray starts from a solid foundation of retro funk and soul and builds on it by adding hip-hop signifiers and modern studio techniques. The result is one of the better debuts of the year, thanks to Gray's blunt proclamations ("I've committed murder... and I don't feel bad about it") and inimitable vocal phrasing. On How Life Is offers the sass of a '20s blueswoman plus the don't-mess-with-me strength of a 21st-century R&B icon-in-the-making. --Keith Moerer
Big >>
For a while there, the helium-voiced Macy Gray seemed to be coasting instead of crashing down the walls between funk, rock, and R&B the way scads of breathless music pundits once said she would. That was before will.i.am and a handful of other skillful knob-twisters entered her life. Now, multi-genre destruction and utter domination once again seem possible: Big, as its title suggests, is a huge record--bold in all the right places and subdued where it needs to be; scruffy around the edges but slick below the surface; at once nonchalant and reckless to the bone. Gray, in her way, is a vocal Timbaland--it's tempting to think she's too imposing to make a random-seeming hook-up work, but she stretches her singular gift around pretty much any collaborator a producer can throw at her, and with style to burn. On Big, those tossed on for the challenge include Natalie Cole, who lights up opener "Finally Made Me Happy"; Nas, who gives up the grit likably on "Ghetto Love"; and Fergie, who coos efficiently throughout "Glad You're Here." As vibes go, the one given off here is cool, casual, and slightly crazy--all Macy, in other words. She does her thing up right, and she does it Big. --Tammy La Gorce
The Very Best of Macy Gray >>
Import exclusive compilation for the urban/pop diva features 17 tracks including a new track, 'Love is Gonna Get Ya' along with all her hits, 'I Try', 'Why Don't You Call Me', 'Sweet Baby' (featuring Erykah Badu), 'My Nutmeg Phantasy' (featuring Angie Stone and Mos Def' along with a few additional non-album tracks and remixes, 'Demons' (Fatboy Slim with Macy Gray), 'When I See You' (Bugz in the Attic Mix), 'I've Committed Murder' (Gang Starr Main Mix) and 'Sexual Revolution' (Norman Cook Radio Mix). Epic. 2004.
Chicago [Limited Edition w/ Bonus DVD] >>
Bonus DVD contains promo video of "And All That Jazz" starring Catherine Zeta Jones, behind the scenes footage of the stars rehearsing for the film, interviews with all the principle actors and director and demos of 2 Kander & Ebb songs.
The Trouble With Being Myself >>
The Id >>
In 1999, Macy Gray's On How Life Is filled a void that no one knew existed. The eccentric singer's unusual voice--more sand than gravel--and her eyebrow-raising lyrics consumed a massive space that was accessible but also controversial. After all the hype surrounding her just-add-water superstardom, the daunting question her follow-up, The Id, must answer is how well she can weather the abundant exposure. Over the course of Gray's second album, the novelty of her vocal style is somewhat tempered by her limited range. That said, what she lacks in octave-conquering she and producer Rick Rubin more than make up for in creativity. The album's many eclectic singles stand strong. "Psychopath" opens the disc with a wall-of-sound block party; it's a funky, celebratory track, well endowed with twangy surf guitar, glimpses of theremin, a ragga-inspired bass line, and lots of goodies floating in the song's highest register (backing vocals, splashes of cymbals, piano). Gray's album also benefits from a host of R&B and hip-hop guests, including Slick Rick, Sunshine Anderson, Angie Stone, Mos Def, and most notably Erykah Badu, who supports Gray on "Sweet Baby," a moving uptempo ballad that easily rivals the best that '70s soul has to offer. Once again, her lyrical sensibility is gripping, vacillating from whimsical ("Oblivion") to disturbing ("Gimme All Your Lovin' or I Will Kill You"). In all, Macy Gray continues to wave her R&B freak flag while digging deep in the trenches of the vividly real. --Beth Massa
Chicago >>
The movie version of Kander and Ebb's Chicago was long in the making, but it's well worth the wait. Director Rob Marshall's main change was to turn the classic musical numbers into fantasy sequences, but of course this isn't obvious on CD. Most importantly, the arrangements are bursting with life while being true to the show's spirit, and the casting is simply inspired. Catherine Zeta-Jones actually started her career on the British boards (she was in The Pajama Game and 42nd Street), so her turn as slinky Velma Kelly isn't that surprising; Renée Zellweger as Roxie Hart is more of a leftfield choice, but she shows she can handle the singing demands with pizzazz. The real revelation may well be rapper Queen Latifah, who belts out "When You're Good to Mama" with a marvelous affinity for the material. OK, so the R&B reprise of "Cell Block Tango/He Had It Coming" by Queen Latifah, Macy Gray, and Lil' Kim fails to convince, while Anastacia's "Love Is a Crime" is just blah (rest easy, purists, it's over the end credits). On the other hand, the CD provides two bonuses: "Class," which was cut from the movie, and "I Move On," a great duet written by Kander and Ebb for the final cut. It's really easy to mess up film adaptations of Broadway shows. Happily, Chicago proves it can be done right. --Elisabeth Vincentelli
A Very Special Christmas - Vol. 5 >>
Five volumes in 14 years would probably qualify these all-star benefit albums (Special Olympics) as a holiday tradition by now, even if all five have been hit-and-miss affairs. Still, the 2001 edition has a few more highlights than a quick glance at its offerings might indicate. Jon Bon Jovi tries to imitate Elvis on "Blue Christmas," and Darlene Love--surely as important a voice in the genre as Bing Crosby--falls short in her attempt to recreate her superior 1963 Phil Spector version of "White Christmas." Genuinely cool, though, are Macy Gray's jazzy "This Christmas," Eve 6's pop-metallic "Noel! Noel!," City High's hip-hop Christmas hybrid, and SR71's goofy take on Billy Squier's already goofy "Time to Say I Love You." Things get downright steamy--and Santa-sized--when John Popper meets up with B.B. King for the bluesy "Back Door Santa." --Bill Holdship
On How Life Is >>
Stocking her ace debut which spawned the massive international hit 'I Try'. This Aussie version adds one bonus track, 'Rather Hazy'. Also includes her recent hit single, 'Why Didn't You Call Me' and her debut single 'Do Something'. 11 tracks in all. Only available at this special low price for a limited time. 1999 cd release, jewel case.