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The third album from the most successful of all the bands to spring from the New York punk scene, Parallel Lines is perhaps the definitive Blondie album. Produced by pop svengali Mike Chapman, it epitomises the astute mix of new wave chic and pop sensibility that spawned four hit singles from the album, and gives Debbie Harry's voice a platform of sleek professional pop that it had previously lacked. "Hanging On The Telephone" is a driven, up-tempo gem, "Picture This" soars deliciously around blissful melodies, while "Heart Of Glass" flirts seductively with disco. And it's proof of the album's mettle that tracks like "Fade Away And Radiate" are just as impressive as the singles. --Amber Cowan
While Best Of may not be inclusive enough for the avid collector because it focuses more on Blondie's new wave dance hits than on their punk beginnings, songs like "Heart of Glass," "Dreaming," "The Tide Is High," and "Call Me" display the diverse musical styles this band embraced. It's a new wave album, a reggae album, a dance album, a punk album, and a rap album. Rock-solid songwriting and Debbie Harry's sultry vocals hold the CD together despite the stylistic reaches of the tracks. --Beth Bessmer