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One of the most respected women in popular music, Annie Lennox’s career has spanned over 25 years and drawn numerous accolades and awards including Grammys®, Brits, a Golden Globe, and an Oscar® for her song "Into the West," from Lord of the Rings. VH1 describes her as "the Greatest living White Soul Singer." Ms. Lennox has consistently pushed boundaries and embraced excellence; her latest work, Songs of Mass Destruction is another example of her unforgettable vocal talents.
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The regular jewel-case version will contain one of seven collectors’ cards.
Although traces of her synthpop roots certainly showed through, Annie Lennox's solo debut, Diva, made it abundantly clear that her new material would veer away from gender-bending robotics of the early Eurythmics sound and continue toward the more emotionally grounded soul of later releases. On Diva, Lennox infuses each song with tenderly perceptive lyrics, hypnotic rhythms, and irresistibly soulful wailings. Her arrangements are clean and simple, utilizing bare instrumentation and sometimes-languid chord work. The singles "Walking on Broken Glass," "Little Bird," and "Why" became radio mainstays, while gems such as the Eastern-influenced dream ballad "Primitive," the hauntingly autobiographical pop-lament "Legend in My Living Room," and the cheerfully satirical "Keep Young and Beautiful" gave the album a plump maturity. --Sally Weinbach
Imagine the possibilities…..
"Possibilities" is the musical event of the year. The album is a series of inspired encounters between Herbie Hancock and world-renowned musicians – including John Mayer, Sting, Trey Anastasio, Annie Lennox, Damien Rice and Lisa Hannigan, Santana and Angelique Kidjo, Paul Simon, Christina Aguilera, Jonny Lang, Joss Stone, and Raul Midon. Herbie Hancock describes "Possibilities" this way: "This is a real collaboration that we’re doing here. It’s all been decided at the session, a record without borders, woven like a tapestry with many colors. The possibilities are endless"
Post-Beatles, the virtues of deft song interpretation have been consistently devalued in favor of self-contained composer-performers, seldom more so than in the initial response to this sequel to Annie Lennox's triumphant solo debut, Diva. That album's gripping originals deserve acclaim, but the lush Scottish alto remains one of the most riveting pop singers of the past two decades, and this smartly chosen, meticulously arranged collection of cover versions boasts its own abundant charms in her selection of obscure gems and bona fide classics from Al Green, Procol Harum, Neil Young, the Clash, the Temptations, Paul Simon, Bob Marley, and the Blue Nile. The songs are the rightful stars here, and Lennox brings passion and nuance to a set that plays beautifully. From the cinematic heartbreak of "No More I Love Yous" to the faithful recreation of the Blue Nile's "Downtown Lights," this is ravishing pop. --Sam Sutherland
Annie Lennox's first album of original songs in 11 years on is a stylish tour de force that showcases the former Eurythmics chanteuse in all her chilly, shimmering splendor. Her formidable voice is still a supple and intriguing instrument, lithely shape-shifting between emotions, personas, and musical forms. Lennox moves effortlessly from the sparse and pristine lament of "A Thousand Beautiful Things" to the deceptively simple "Pavement Cracks," a solemn ballad that is transformed by electro dance beats that recall some of the best of the Eurythmics. But Lennox's quixotic voice is best utilized as an old-school soul instrument; she makes a metaphoric journey to Motown on "Hurting Time," a reflective ballad could have been lifted off a Miracles album. "Honesty," shows the Scottish diva at her well-mannered best, occupying the same sophisticated space formerly held by Carly Simon. --Jaan Uhelszki
Fresh from her 2004 Oscar win, Renée Zellweger reprises the title role in the romantic screen comedy Bridget Jones The Edge of Reason. The film also boasts a sensational companion soundtrack from Geffen Records featuring great pop legends and newer rising stars, among them Beyonce, Mary J. Blige, Rufus Wainwright & Dido, Carly Simon, Jamie Cullum, Sting & Annie Lennox and more.
With Nick Angel serving as music supervisor/executive producer, the soundtrack Bridget Jones The Edge of Reason is a pop music lover’s delight. Newly recorded songs appearing on the cd include: a cover of Sade’s song "Your Love Is King," by rising U.K. star Will Young; "Misunderstood," a new tune by Robbie Williams; "Everlasting Love," a newly recorded cover by Jamie Cullum, "Stop!," by UK artist Jamelia; Kate McGarrigle’s "I Eat Dinner," recorded as a duet by her son Rufus Wainwright & Dido; and a newly recorded version of Sting’s "We’ll Be Together" by Sting and Annie Lennox. Other songs on the soundtrack include: "Can’t Get You Out Of My Head" by Kylie Minogue; "Super Duper Love (Are You Diggin' On Me?)" from Joss Stone; "Sorry Seems To Be The Hardest Word" by Mary J Blige; "Crazy In Love" by Beyonce; the classic "I'm Not In Love" by 10CC; Carly Simon’s hit "Nobody Does It Better;" "I Believe In A Thing Called Love" from The Darkness; Minnie Ripperton’s timeless "Loving You;" and "Bridget's Theme" by Harry Gregson Williams.
Based on the novel by Helen Fielding and directed by Beeban Kidron, Bridget Jones The Edge of Reason stars Renée Zellweger, Hugh Grant, Colin Firth (all reprising their roles from Bridget Jones's Diary) along with Jim Broadbent, Gemma Jones and Jacinda Barrett.
UK CD pressing of the first single pulled from the Pop diva's 2007 album Songs Of Mass Destruction. Features two versions of 'Dark Road': Main Version and Acoustic Version. RCA.