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Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord
With her debut album Frank, Amy Winehouse proves to be one of the most original, honest and brave singer/songwriters to emerge in recent years. Over the course of the 13 songs, she manages to do everything required of a classic album. This is a stark piece of work, comprising husky, frequently sexually charged vocals, painfully honest lyrics and soft trumpets, laidback beats and sparse guitar work. It seems that soulful jazz doesn't always have to be bland--it can also be playful, twisted and arrogant ("Amy Amy Amy").
"Fuck Me Pumps" charts a seemingly guilt-free act of infidelity: "What do you expect when you leave me here alone?" she asks coyly, as if by way of justifiable explanation. "You wouldn't want me to be lonely," she adds. You can't help warming to her, despite what she's saying. A unique sense of humour (how rare in music now) and a no-bull attitude make for an interesting, compelling debut. Frank? Yes, but refreshingly so. You wouldn't want her for a girlfriend, but as a life companion she may yet prove indispensable. --Cortman Virtue