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Flavors Of Entanglement  >>

The first studio album from Alanis Morissette since 2004, Flavors Of Entanglement fuses the organic and the techno—prompted by producer Guy Sigsworth (Madonna, Björk). Incorporating beats, loops and synthesizers, the album was designed, says Morissette, so listeners can "dance your face off." Balancing introspective confession and delirious joy, the global and the personal, Flavors Of Entanglement is a tasty new musical feast from one of pop’s most intriguing artists.

Jagged Little Pill  >>

Her intensely personal lyrics grabbed the headlines, but the bravest departure here is the way Morissette's unique vocals stand naked in the mix--a technique that drives home the painful honesty of tracks like "Right Through You," "Forgiven," and "All I Really Want." Sheryl Crow or an earthier Tori Amos are fair analogies, but Morissette is a genuine original with a rare ability to make listeners care, think, and question. --Jeff Bateman

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe  >>

The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe original soundtrack features a limited-edition 3-D cover, the score by acclaimed composer Harry Gregson-Williams, plus songs by Alanis Morissette, Imogen Heap, Tim Finn, and Lisbeth Scott.

The Collection  >>

The first retrospective of the career of Alanis Morissette, The Collection spans 1995-2005 with hits and more, as a new recording, "Crazy" joins some of the most popular songs of the era, from "You Oughta Know" and "Hand in My Pocket" to "Ironic."

Flavors Of Entanglement  >>

Though the mainstream might have all but abandoned Alanis Morrissette since her mid-90s breakthrough as the MTV grunge generation’s Madonna, she has forged on with a handful of albums of a reasonably steely consistency, although even kindly ears would recognize her output since Jagged Little Pill as reduced strength versions of that celebrated album. Its slightly convoluted follow up, Supposed Former Infatuation Junkie, remains her most intriguing if long-winded work, and with her most recent record (2004’s So Called Chaos) more or less finding peace with itself--filing down the angsty internal dialogues and sounding almost content even at its loudest points--the future seemed to be heading on a downward spiral. But talk about an about turn. With Flavours Of Entanglement the bronco is very much bucking once more, often causing whiplash-inducing stylistic swerves. "Citizen Of The Planet" opens the album, erupting out of eastern strings and a sequenced underlay with blunt, compressed guitars and thumping beats, sweeping through desolate plains previously inhabited by nu metal fantasists Evanescence. The dark tension is upheld through the robotic techno of "Straightjacket" and dark string-laden drum ‘n’ bass of "Moratorium." Landing amid the lonely Tori Amos balladry of "Not As We," Texas-pop of "In Praise Of The Vulnerable Man," and the more typical Alanis fare of "Underneath," this is an often unsettlingly mixed bag achieving varying levels of success, but it is also probably her most emotionally satisfying work for a decade. -- James Berry

Songs for Tibet - The Art of Peace  >>

Two CD set. Songs for Tibet - The Art of Peace Music Project. Proceeds that the Art Of Peace Foundation receives goes to peace related projects. As a show of solidarity with the Dalai Lama and Tibet, 20 artists have come together to release this historic double album on the eve of the Beijing Olympics. These recordings - some original for the project and some acoustically driven recordings of previously released songs - express our common vulnerabilities and experiences in pursuing happiness, peace and freedom. Collectively, these tracks represent a heartfelt message of support for the path of compassion and non-violence championed by the Dalai Lama. Begun in May of 2008 and completed in two months, the outpouring of support from all corners of the world was unparalleled. Funds raised from the album will go to support peace initiatives and Tibetan cultural preservation projects important to the Dalai Lama.

Supposed Former Infatuation Junkie  >>

When Alanis Morissette visited Mother India in 1997, she gained new composure and, in a state of numinous bliss, wrote 17 songs for Supposed Former Infatuation Junkie, each suffused with the search for enlightenment and self-knowledge. To the likely dismay of many fans, Morissette now rages at herself. But this long-awaited follow-up to 1995's record-smashing Jagged Little Pill is far from a disappointment. Imbued with dark, swirling psychedelic licks borrowed from Jimmy Page's song book, the disc is paradoxically both more enigmatic and revealing than Pill. And while Junkie shows that Morissette is no less stingy about revealing herself to her fans--her staccato stream-of-consciousness style is again employed to surrender her secrets and foibles a little too easily in these tales of abuse, lost love, and self-flagellation--Junkie also makes one wonder what this musical sphinx holds back. In "Baba" she takes on competitive spirituality, sneering at the fashionable grasp for enlightenment. "Would Not Come" returns to a similar theme--taking us on a tour of her diary. "Would Not Come" and "Your House" offer the only hints of sexual innuendo. The only revenge she wreaks on an errant lover is in the percussive "Are You Still Mad," this time dishing up a much subtler payback than on "You Oughta Know." The record's standouts, meanwhile, are "Thank U" and the hip-poppy "So Pure." One complaint (and there is only one): Morissette's rapid-fire wordplay is at times engulfed by ponderous instrumentation. The worldbeat rhythms and elaborate guitar play add fresh twists to the album, but they also sometimes bury her message. --Jaan Uhelszki

So-Called Chaos  >>

It's been a long time in coming, but with So Called Chaos Alanis Morisette has finally produced a worthy follow up to her globe-conquering debut. Calmer and more focused, the songs exude a new, mature woman, firmly in control of her life. "I'm not threatened by every pair of legs you watch go by," she sings with Zen-like serenity on "I Doth Protest Too Much" (as if she'd have said that on Jagged Little Pill). Time mellows--leave the angst to Avril Lavigne.

Overexposure once made her fantastic voice grate, but now it's like welcoming back an old friend--that distinctive little warble, that softness…it's her most valuable asset and the simple, clean production wisely allows it to breathe freely. Most of the songs follow a slow, quiet verse/loud sucker chorus pattern and there's nothing on here that rivals anything from her debut, but everybody (including herself) has accepted that now. The absence of a world-class co-songwriter plays a part, but it's a refreshing change to see no external involvement. Accept Morisette for what she is--a female singer/songwriter with an exceptional, original voice and you won't be disappointed. --Ben Johncock

The Prayer Cycle  >>

It is with primitive urgency and lustrous clarity rising like flickering embers from a fire that Jonathan Elias's ambitious Prayer Cycle is given voice. Woven together like knotty wool, silk, and fine strands of silvery water, the disparate yet complementary voices of the late Nusrat Fateh Ali Khan, Alanis Morissette, Yungchen Lhamo, Ofra Haza, the American Boychoir, Salif Keita, and others intertwine in multiple languages with the superb English Chamber Orchestra and Chorus. Prayers of supplication, gratitude, and longing build in layers, one on top of and 'twixt and 'tween the other, as movements titled "Mercy," "Grace," "Innocence," "Compassion," and the like. Remarkably, Elias's Prayer Cycle eloquently captures the ecstasy, pain, grief, and sublime beauty of humanity--as he simply and poignantly writes in his liner notes, "The world we live in is both joyous and cruel." --Paige La Grone

Under Rug Swept  >>

Her first studio album in four years, the much-anticipated Under Rug Swept reveals a phenomenal success story of a woman who has become a truly major force in rock. Guests includes Flea & Meshell Ndegeocello. Maverick Records. Features enhanced material including videos. 2002.